周天方便:高更文章手提式有线电话机壁纸

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Paul Gauguin – Village in Martinique (Femmes et Chevre dans le village)

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To make you feel my love.

Paul Gauguin – Village in Martinique (Femmes et Chevre dans le village)

固然高更在为人上有颇多值得商榷之处,但作为后印象派叁杰之一,他的画作与凡·高和塞尚同样持有不可低估的股票总值,对同时代和后来的乐师也一贯持续发生影响。

威尔iam
Nicholson爵士笔下:

 

Paul Gauguin – The Ancestors of Tehamana OR Tehamana Has Many Parents
(Merahi metua no Tehamana)

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I’ve known it from the moment that we met

Paul Gauguin – Mata Mua (In Olden Times)

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The winds of change are blowing wild and free

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Paul Gauguin – The Ancestors of Tehamana OR Tehamana Has Many Parents
(Merahi metua no Tehamana)

看看 Harper Pennington:

Go to the ends of the Earth for you

今日带给大家几张他的著述。

Like this:

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比如 Thomas Robert Way :

You ain’t seen nothin’ like me yet.

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法兰西音乐大师Henley·方丹-拉图尔,下边那幅他的画,曾经在点子君翻译的《怎么样看一幅画2》中牵线过:

When the rain is blowin’ in your face

 

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I could offer you a warm embrace

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Paul Gauguin – The Red Cow

鼎盛时代的惠斯勒,可谓社交圈和格局圈里的色情人物,所以,在其他歌唱家笔下,他的留存感日常刷起来没完。

No, there’s nothin’ that I wouldn’t do

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其实,照片里确实的他,如下图:(可是,照片里的她正是的确的她吧?那是个风趣的主题素材。)

And on the highway of regrets

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收藏拍卖 11只是,他也是惠斯勒的金兰之交,五人友情甚好。拉图尔画了无数音乐家的群体形像,下图左肆,就是惠斯勒:

I could make you happy, make your dreams come true

Paul Gauguin – The Red Cow

先天带给我们几张她的创作。

何以要横眉冷对?因为在稍微型绘美学家眼中,他可不是上边那多少个伟光正的楷模。

I’d go hungry, I’d go black and blue

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